I keep scrolling through my calendar on my phone to see what shows I could possibly be attending in the latter half of this week and my eye keeps getting drawn towards the two large red X’s which I use to denote a cancellation. On Wednesday I should have been going to see a version of Floridian death metal stalwarts Morbid Angel.
Due to passport issues the band are unable to travel to Europe and all their shows have been cancelled and hopefully to be rearranged for 2018. I was unsure if I was going as this version of the band are refusing to play anything from the first few albums and are solely concentrating on albums F, G and H!
Longstanding guitarist and only original member Trey Azagthoth is calling the shots and two years ago let vocalist and bass player David Vincent and drummer Tim Yeung go and drafted back into the fold on off bassist and vocalist Steve Tucker. He was the voice of Formulas Fatal to the Flesh, Gateways to Annihilation and Heretic (hence F, G and H).
It could’ve been an interesting evening experiencing album cuts that have rarely been played on British soil, but I just think letting fans miss out on hearing something like Chapel of Ghouls is a kick in the teeth. I’m pretty sure in previous Tucker incarnations of the band tracks from the first four albums were included.
For what ever the reasoning is behind the bizarre setlist choices and currently the two “versions” of the babd in existence, if you want to hear tracks from A, B, C and D then you need to keep your eyes peeled for I Am Morbid which features Vincent and Yeung. Technically a cover act, but I’m sure they can smash out some classic death metal with aplomb. I Am Morbid have been announced for the Dynamo Festival in Holland next July, so I’ll be able to make my own conclusions.
I was reluctant to post another Morbid Angel track, who needs two from the band throughout these 502 posts, then I realised I haven’t put anything by the band in here at all, so time for that to be rectified immediately.
Released back in 1989 via Earache Records in the UK, the bands debut album Altars of Madness spawned Chapel of Ghouls amongst its other nine bludgeoning death metal tracks. It also ticks the necessary boxes for any self respecting release bursting out of the Sunshine State during that era. Recorded at Morrisound Studios in Tampa (with Tom Morris rather than Scott Burns) and a stunning piece of artwork by Dan Seagrave. Twenty eight years on from Altars album number 9, Kingdoms Disdained, will be in our sweaty palms in a little over a week.