Day 24 – A cover tune.
Prong – Doomsday
Again another hard choice because there are so many fantastic cover versions within the heavy metal genre. I could have picked a cover tune from virtually every one of the 30 bands I’ve featured.
I’ve got to miss out Metallica paying homage to Misfits, Queen, Bob Seger, Discharge and the Anti-Nowhere League. Anthrax covering Joe Jackson, Thin Lizzzy, AC/DC or Trust. Slayer and Steppenwolf. Laaz Rockit thrashing up the Dead Kennedy’s. Nightwish turning Gary Moore symphonic. Queensryche covering Dalbello (which for a long time I didn’t realise was a cover). W.A.S.P. paying tribute to Deep Purple or The Who. The list is endless.
If I haven’t changed my mind in the next few days I’ve gone for Prong so I can sneak local legends Discharge onto this list. And it’s a mighty fine rendition of the song that graced the B side of Discharge’s State Violence State Control 7″ from 1983. It was originally on the release as Dooms’ Day, but over time changed to Doomsday.
Day 18 – A song about vehicles / ships.
Iron Maiden – Empire of the Clouds
An airship answers the question, so why not the epic culmination of Maiden’s last album The Book of Souls?
This 18 minute epic is one song that I’d really love to see live at some point. If they ever perform it I think it’ll be at something special rather than a run of the mill tour date.
If I make it to Eindhoven by 7pm tonight then I have to say I’m pretty excited to catch another new band to me in the shape of Antwerp’s Toxic Shock.
Sounds easy enough, but first of all I need a flight that leaves Manchester to the Netherlands on time. You’d think the easy option would be a flight direct to the cities facilities. Technically that is correct, but when that flight is way over budget and when I last looked it’s also full to alleged capacity. It would’ve been a Ryan Air flight so it’s probably littered with empty seats due to their customers refusing to pay an extortionate fee to sit together. Yeah, sure, they’re randomly selected.
Instead I’ll be arriving into the country at their major airport hub Schiphol eighty miles away from where I need to be. Thankfully the train station is within the airport and services are extremely decent and reasonably priced. Plus I love the double decker trains they have on the continent.
Then you’d think we’d have a room for two nights in the same city as the two shows we’re attending. Well I did, but something went wrong and it was cancelled erroneously. As there’s nothing suitable and reasonably priced locally we opted to stay at a pub twenty two miles away in Tilburg. At least the trains are pretty cheap and run late.
When I saw the announcements for the pre party show I was pretty happy with Toxic Shock. I’ve been listening to them for years now and their Change from Reality album is alright. I didn’t know it was the band from Belgium we’d be seeing with the same name. Not the Germans I’d been listening to for ages who have actually split up!
Now I have that piece of the puzzle I’ll have a quick listen on Spotify to them. Again easier said than done. No German band this time, but the music streaming site has lumped the Belgians with the American thrash band and yet another one with the same name who are no way metallic in any shape or form. Late on Wednesday evening I finally got to listen to 2013’s Daily Demons release.
They remind me a lot of the band I saw nearly a month ago, Insanity Alert. Maybe not as brash as the Austrians and the Belgians have a slightly more hardcore edge to their sound upon my first listen. If you like recent bands like Iron Reagan (who they did a split 7″ single with), Municipal Waste or Power Trip then you’ll probably show some admiration for them. I’m hoping they’re going to nail it in the Dynamo club tonight and kick off my eleven performances in 26 hours perfectly. If not there’s a bar and muntens to be spent.
A lot of the Dutch venues I’ve visited seem to operate a token system to purchase drinks. Insert cash into a machine on the wall and walk away with plastic coins (muntens) and blindly spend them all. And repeat. It’s all good until you work out how much one coin costs and how many you spent on Jupiler.
Monday is Cancelled is from the Iron Reagan split 7″ that was released in 2015.
Back home and south of Hadrian’s Wall, the crazy extended weekend continues and ultimately ends with a triple assault of American thrash metal, with a side order of French death metal.
Monday night should see me making a tired trip down to Birmingham to indulge myself on the second European date of the Havok tour with Warbringer, Exmortus and Gorod in tow. Originally I was hoping to have been back from Glasgow in time to keep it all confined into a weekend and watch it unfold in Manchester. Unfortunately there is engineering works on the train lines and out expected hasty departure out of Alba has been delayed until the late afternoon.
I’ve seen the second half of the line up previously and the first half of the line up in new territory fir me, it’s also a new venue to explore too when I eventually find Mama Roux’s. It should have coincidentally have been my second time seeing Gorod as they were playing in Toronto when I was there exactly a year ago. Originally I was going to be at the Hard Luck Bar, but I fell ill earlier in the day and had to miss it to make sure I was semi fit for the main event the following day.
I’m not sure on my transportation schedule yet but I know I have to be there for the opening salvo delivered by Californian technical thrash metal band (with a dose of melodic death metal thrown in for good measure) Exmortus. Monday evening will be their second British show and by default their second European show, it would have been nice to have been at their debut show but things happen.
They’ve definitely paid their dues on the live circuit on the other side of the pond. Following them on social media it seemed like they were constantly on the road last year on some prestigious tours with the likes of Children of Bodom, Entombed AD, Amon Amarth and Abbath.
They formed in 2002 and have got through a lot of band members in that time. Four battle inspired albums have seen the light of day with album four, Ride Fourth, surfacing at the start of last year on Prosthetic Records.
I can’t wait to finally see them live, even if it’s only going to be for a fleeting thirty minutes, and I’m intrigued to see how their technical prowess carries over from the stage to the audience.
For the Horde was issued as a 7″‘ single, limited to 300 or so copies, back in 2015 and was later included on the most recent album.
Well I’m finally on my “week” off work, only three days late. It’s been a hectic few days at work and at home, but now Hammerfest is insight. I haven’t had time to dedicate to writing about music over the last few days, but after browsing early morning TV I decided to put the remote control down and have a peruse of some of this weekends festival bands via YouTube.
One of Saturday’s bands that I’m not familiar with, but one of our travelling party needs to experience is Norwegian black metal band Kampfar, and those five words are all I know about the outfit. So from the annals of Wikipedia…
They formed twenty three years ago in Fredrikstad. Like many of the Scandinavian bands they are heavily inspired and influenced by native mythology and folklore. There was a hiatus within their two decades, but they returned and in 2015 won a Spellemannprisen award for services to metal after the release of their latest album Profan (where Tornekratt rounds off the release.) The recognition is comparable to receiving a Grammy award if they were presented in Norway.
After listening to a few of what appear to be more modern tracks they aren’t one of the shrieking black metal bands that I can’t stand. I’m getting more of a Behemoth, Dimmu Borgir or Satyricon vibe.
For some reason I had ideas of them being more war inspired like Marduk as I imagined the name to have some World War II connotation. It might have reminded me of a combat formation from the Luftwaffe, Kampfgruppe. Apparently though it’s a ancient Norse battle cry to Odin.
On Saturday they clash with Beyond the Black who I’m also unfamiliar with, so I can check out the Norwegians and if I’m not getting it I can stroll across the pathway and experience another new band – one of the best things you can do at a multiple stage festival.
As an added bonus after the Battle of the Bays show at Manchester’s Academy 2 venue we get to indulge in a late night stumble up to the Rebellion Bar to catch some of the bands performing at the Viking Feast. This gig has now turned into an all night affair with five bands performing between 9pm and concluding at 2:30am Saturday. I’d imagine at some point it was going to be a regular timed show, but the lure of Exodus and Obituary would have had some impact. Before the bands those who paid a fiver extra for VIP get to indulge in an all you can eat hog roast. So tempted myself.
The headliners Skyforger are due to hit the stage at 1am. What state their audience will be in and what numbers are going to be there will be very intriguing to witness. As far as I’m aware this will be only their second appearance in this country, their first being in London back in 2008 and to my knowledge the first Latvian band I’ve encountered!
Yet another band I don’t know anything from, so a little research reveals that they are of the folk metal persuasion. If I’d have to have guessed a genre then that would of been it. They released their sixth album last year and as all the album titles and tracks are written in Latvian I’m guessing all the vocals are in their native tongue.
Reading a bit more about the band they appear to have been steeped in controversy over the years. Their third album Pērkonkalve (Thunderforge) apparently featured some ancient symbols, one of those being the Latvian thunder cross, or Ugunskrusts. It’s a gammadion cross,or basically what we now refer to as a swastika. Even though that symbol has been in existence for over 11,000 years in the Hindi and Buddhist faiths and found in excavations of Neolithic sites, it has been hijacked by what it represented by the Nazi party from the 1920’s onwards.
In its time the cross has had many uses all over the world. It was an aviation good luck charm and one was painted inside the nose cone of the Spirit of St. Louis monoplane. Author Rudyard Kipling used it as an emblem on his books. Denmark’s brewing company Carlsberg had it carved into stone elephants outside of their factory until it gained notoriety. It was the name and logo of two ice hockey teams along with a community in Ontario. Even on these shores the emblem has been used in a multitude of places. It was at one point during the First World War used by our own government on the stamps used for the British National War Savings Committee, and by the Boy Scouts as a badge of merit.
Anyway back to Skyforger. Melnás Buras (or Black Sails) is about a plague that swept from central Asia via what we now call Turkey and into the Baltic states and Poland during the Great Northern War of 1700 to 1721. This twenty one year conflict was between a coalition force lead by eventual victors Russia against the Swedish Empire. One third of the Eastern Prussian population was killed off by plague or famine and lead to the demise of the Old Prussian nation and their traditions.
One of the many things I’ve enjoyed from my love of music is discovering some fascinating historical events that I would never have looked into. As pointed out before, Iron Maiden’s Powerslave album got me hooked on Egyptology all those years ago.
If you can understand the Latvian dialect and you’d like to hear more about Old Prussia track down the Senprūsija album from last year. It does what it says on the tin, Senprūsija – Old Prussia.
On Tuesday the Battle of the Bays tour rolls onto British soil to demolish five venues before they head back into Europe. For those of you not in the know Australian’s King Parrot will be opening up this four band bill ahead of Prong, Exodus and Obituary. Easily one of the most eagerly anticipated packages seen over here this year.
King Parrot will be a new revelation to me. They’ve been recommended to me by friends and as I’m catching the tour twice on Friday and Saturday I’ll most definitely see them at least once.
Formed in Melbourne half a dozen years ago, and played about as many shows over here, I should have seen these guys on the Soulfly tour earlier this year but it clashed with a Discharge gig, and I’m actually a bit loathe to waste my time and money with Max Cavalera when he never projects any interest in being on the stage the last few times I’ve seen him.
Described as a “mixture of thrash metal, grindcore, sludge metal and early hardcore punk” and as “an intense live act” I’m quite looking forward to being within an academy venue shortly after the doors have opened.
The Like A Rat video features a cameo by Pantera frontman Phil Anselmo, who owns Housecore Records who handled the release of the bands Dead Set album in the United States.