Welcome Home

Today marks the 29th anniversary, somewhere in the world, of King Diamond’s third opus “Them” hitting record stores, the first of two conceptual releases about “King’s” mentally ill grandmother. 

“Them” in this case are the voices that a young King hears around the house, and “they” are controlling King and Missy’s mother. It all ends up in death, mayhem and incarceration, then concluded (in a fashion) with the following release Conspiracy. 

Besides the mini post I’d featured a few weeks ago for the 31 songs in 31 days project I can’t comprehend that it’s taken me so long to post a second King Diamond track properly. December 2015 was my last foray in to the psyche of Kim Bendix Petersen, which really shocked me and that was only posted because it was a Christmas influenced piece of music. 

The Great Dane most definitely has a marmite sound. You either love his vocal delivery or hate it. I know a few people who like it for the musicianship, then their  interest dissipates as soon as Mr Petersen let’s rip. I enjoy that kind of vocal delivery and range  and I like the intricate tales that he weaves with his lyrics. It’d be interesting to view if any Hollywood moguls got involved in a reimagining if the two albums.  Failing that I’d like to see a “Them” tour. Over the last few years the band have been playing the seminal Abigail album in full and a concert DVD is in the pipeline, I’d really like to see that trend carried on with the following pair it albums. 

I got a bit confused with what track I was posting when I started tapping away as I initially looked for the Sleepless Nights promotional video, then I realised that was on the following album. My hopes were briefly dashed then I came across a video for Welcome Home, which I had never seen until this afternoon.  You’re never too old to learn something new! 

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Heavy Metal Month Listening Challenge 23/31

Day 23 – A song about evil magic.

King Diamond – Voodoo

My first two thoughts were Black Magic and The Conjuring by Slayer and Megadeth respectively, then after day one I decided I wanted to spread out the tracks so it was back to the drawing board for all of ten seconds. 

I’m writing some of these on a dull Sunday morning and today – August 20th – would’ve been Dimebag Darrell’s 51st birthday and he plays a solo on this track. How’s that for some voodoo magic? 

Live Arena 9

Well this weekends superb Nightwish extravaganza brought 2015’s gig diary to a close and now I’m looking forward to 2016.

So far plenty of bands to look forward to seeing over the forthcoming twelve months including a trip to Canada in April and a few continental European visits potentially. But first Christmas and New Year shenanigans to endure!

A few of next years shows I’ll be catching.

  
  
  
  
  
  
  
  
  
  
  

No Presents For Christmas

Ah December is upon us. The season of joy to all men whilst wearing gaudy jumpers for the holiday season and being sociable to people you only ever seem to bump into around Christmas.


It’s the wife’s works Christmas party tomorrow so I suppose I’d better try and get into the spirit of things – with spirits will help of course. Here’s a delightful Yuletide ditty for anyone else getting ready for the festivities – even though for many Christmas will be celebrated a few days early inside the the numerous cinemas worldwide.

Danish vocalist Kim Bendix Petersen is better known by his alter ego King Diamond. King left (or temporarily disbanded) cult band Mercyful Fate in 1984 go solo with another two fifths of Mercyful Fate.

I can remember getting a copy of the bands sophomore album Abigail in 1987 or 1988 and being completely blown away by it. It was constantly in the ghetto blaster I “borrowed” from my sister and played the album relentlessly, even when I walked to my grandparents house and they only lived five doors up the street!!

King Diamond, the vocalist, is definitely a love / hate proposition. Most of his releases are concept albums weaving a tale about ghostly going ons. The Dane does all the parts and his falsetto vocals don’t appeal to some.

In the UK the band have been the antithesis of prolific, playing maybe half a dozen shows here in their three decade career. They headlined Friday night at 2013’s Bloodstock Festival and it remains one of my highlights from the history of the festival and I’ve been to every single one since its inception in 2003, so that’s a fair few bands to overhaul to reach the top of the pile. Musically the band were spot on, the stage show was there and King carried off all the vocal parts to perfection and for an outdoor festival the sound into the crowd was perfect and all the intricacies performed by the band were audible. My best friend isn’t a fan and he still rates it highly as one of the festivals best performances.

I already have a ticket for their show in London next June and hopefully I’ll be in the crowd at Hellfest.

No Presents For Christmas was King Diamond’s first solo release in 1985 as a 12″ single and actually released on December 25th. There’s no video made for this track and the live fan videos don’t do the song justice.