My original plan was to write a few words about Californian industrial duo G.G.F.H. but I’ve not been able to find a video for them, just some audio rips. Expect something by them later in the year, let’s pencil in October 31st?
I can’t really do a run of industrial metal and skip over Ministry. They’ve been featured once already in this blog, but with something from their new wave synth-pop era. In 1992 they hit the mainstream with their breakthrough album Psalm 69: The Way to Succeed and the Way to Suck Eggs to give the record its full title.
They reinvented themselves between the new wave era and hitting the limelight and there were three previous albums that – in a gloating kind of way – I was listening to well before Psalm 69 hit the stores. They’re one of those bands though where I can’t really recall how I got into them. I’m thinking it was probably a recommendation from local industrial band Hatemonger who’s frontman I knew.
It wasn’t until the 2000’s until I got to see the band live, from what I recall a pretty inebriated Al Jourgensen was on stage in blazing afternoon sunlight at the 2003 Download Festival. My next, and currently last, time seeing them was in 2008 on the Wolverhampton stop on their C U LaTour – touted as their final tour. I was one of many people who came away pretty disappointed from the show as the main bulk of the set was made up from more recent releases and we had to wait for the encore to get a pair of songs from Psalm 69 and The Mind is a Terrible Thing to Taste.
I’ve had the live video In Case You Didn’t Feel Like Showing Up for more than a quarter of a century now, but it’s been such a long time since I last viewed it, mainly because it’s a VHS cassette and we have no video player in the house and I’m not sure if it surfaced on DVD at any point in the intervening years. I would have loved to have seen the band in their most dangerous heyday, ensconced behind the chain mail barrier between the band and their rabid audiences. My only two experiences have been rather lacklustre affairs, which is why I declined to see them a few weeks ago.
Stigmata is taken from the band’s third album The Land of Rape and Honey their first with a more metal edge. The album title is lifted from the motto on a coffee mug seen in Canadian town Tisdale, Saskatchewan, who’s local agricultural heritage is based in rapeseed and honey.