Over the last few weeks I’ve had the urge to listen to the first two Skid Row relentlessly and during the entirety of this blog I’ve only posted about the band once. So in a change of pace from yesterday’s post here’s something still heavy, but very much removed from the evilness of Deicide.
Skid Row and Guns ‘N’ Roses always used to go hand in hand together, so this post is going to be no different. Last week I posted how Appetite For Destruction was pretty much a perfect album as it celebrated thirty years. Unlike their touring partners back in the day, the New Jersey quintet managed to follow up their debut with an equally as strong sophomore offering. For me (and you know what people say about opinions) the dozen tracks on offer on the 1991 release has no weak links.
Reading back the last Skid Row post from the dying days of December 2015, it came on the back of Tony Harnell departing the band and the internet flurry of Sebastian Bach returning to the fold. There were also rumours, or expectations, of an imminent global tour with the Gunners. So everyone was wrong on both accounts.
The Not in this Lifetime tour is nearing its conclusion and Skid Row were not amongst the long list of opening acts during 130 worldwide performances on its nineteen month long trek.
Harnell has been replaced with vocalist ZP Theart. Not really a household name, unless you are a DragonForce fan. South African ZP took over live duties and became a permanent addition to the band in January of this year. I’ve only seen a poorly recorded version of his first performance on YouTube and I wasn’t overly impressed, but I may be tempted to check out his inaugural British shows when they land here early in 2018.
Released in 1991, Slave to the Grind would have been another college purchase and I know it was played to death at the time. The band had moved on a bit from the more glam orientated self titled release and were more of a straight ahead heavy metal band. There’s some really heavy stuff on this second record. Both albums have been heavily played in the twenty six years since they’ve been in my collection, but after those two I’ve hardly listened to anything else that has been released.